Violent Delights

Luisa Heilbron & Andrea Givanovitch (Austria, France, Brazil)

28.07 | 21:30 | “Mikis Theodorakis” theatre

Luisa Heilbron was born in Rio de Janeiro, Brazil, in 1994 and began dancing in 2001. In 2014, she received a scholarship to study at the American Musical and Dramatic Academy in New York City, where she graduated in 2016. The following year, she moved to Europe to continue her education at the Salzburg Experimental Academy of Dance (SEAD), graduating with distinction in 2021 with a specialization in both performance and choreography. From 2022 to 2024, Luisa was a member of the Salzburg-based BODHI PROJECT Dance Company. During this time, she performed and collaborated on works by Patricia Arpegi, Elena Fokina, Jelka Millic, Olivier Dubois, Michèle Anne De Mey, Lenio Kaklea, and Michiel Vandevelde. With BODHI PROJECT, she toured and performed in cities including Tel Aviv, Athens, Rhodes, Chania, and Vienna. In the fall of 2024, Luisa began her master’s studies in Movement Research at the Anton Bruckner Privatuniversität in Linz, Austria, focusing on developing a methodology for movement composition based on language translation. Since 2025, Luisa has been working as a freelance dancer, performing in pieces such as Fauve (Agrimi) during French tours and participating in the creation and world tour of The Birds, both choreographed by Lenio Kaklea. In addition, she continues to present her own choreographic work in Brazil and across Europe. In recent years, Luisa has been developing her teaching method, Toolbox Lab, inspired by the gap she identified between the technical training provided to pre- professional dancers and the creative and choreographic demands of the professional dance world.

Andrea is a French dancer and choreographer based in Paris. He graduated from the Regional Conservatory of Music and Dance in Toulouse with a Choreographic Studies Certificate (CEC), earning honors from the jury. In 2015, he joined the Compañía Juvenil del Ballet Clásico de Cataluña, under Elise Lummis and Jean Emile, performing Frederick Ashton’s ballet repertoire. He later returned to contemporary dance, training at SEAD (Salzburg Experimental Academy of Dance), where he worked with numerous international choreographers and graduated in 2020 As a performer, Andrea has appeared in works by Ohad Naharin, Damien Jalet, Mathilde Monnier, Patricia Apergi, Jan Lauwers, Andreas Hannes, Alex Baczynski-Jenkins and François and Christian Ben Aïm. He was also a member of the repertory-based Bodhi Project Dance Company for two seasons. Alongside his performance career, Andrea is an accomplished choreographer. His solo LeatherBetter will premiere at La Biennale de la danse de Lyon in September 2025. His piece Untitled (Some Faggy Gestures), begun in 2022 and developed during the ATLAS residency at Impulstanz 2023, premiered in April 2024 at the “Le Grand Bain” festival at CDCN Le Gymnase in Roubaix. He co-choreographed the duet « Violent Delights » with Luisa Heilbron in 2022. His quartet Exodus, performed by Marcello Musini, Sofia Pouchtou, Jeawon Jung, and Luisa Heilbron, premiered at the Body/Sound/ Space festival in Linz. Andrea is also a certified Hatha Yoga instructor, holding an RYT 200 certificate from a1000Yoga Academy in Bangalore, earned in 2019.

Violent Delights is a contemporary dance duet inspired by the complex entanglement of time, human relationships, and the intensity of fleeting passions. Taking its title from Shakespeare’s famous line “these violent delights have violent ends” the piece explores how love and conflict, like time itself, are both inevitable and inescapable.

At its core lies the question of legacy, what remains after the storm of emotion has passed. The duet examines how our gestures, affections, and struggles echo through time, leaving invisible imprints on the body and the people we touch. Each movement becomes a trace, a fragment of memory that lingers even as it dissolves. The dancers engage in a subtle physical dialogue, where fluidity meets sharpness, and moments of tenderness suddenly erupt into bursts of energy. The choreography weaves together unity and discord, reflecting the tension between desire and destruction that often defines intense relationships. Time, in this duet, acts both as an unrelenting force and a fragile instant a ticking clock, illustrated through the use of light, that binds and tears apart the two moving bodies.

From the very first moments, a rush of sensations, gestures, and sounds floods the space; the performers intertwine their bodies in a frantic race against disappearance. Through dynamic shifts, the duet captures this simultaneous motion of union and separation, guided by a constantly evolving temporal landscape, at times flowing with it, at others resisting it.

As the piece unfolds, time stretches and slows down, revealing a delicate precision born from suspension, offering the viewer the subtlety that emerges from this relationship. Built upon intricate movement patterns and complex rhythms, Violent Delights demands intense physical commitment through elaborate partner work. The dramaturgy unfolds solely through movement, supported by an evocative sound design. The audience is drawn into an urgent physical dialogue where passion, memory, and loss coexist, a living archive of emotion, a legacy of bodies in motion that continues to resonate long after the dance ends.

Choreographed and performed by: Luisa Heilbron & Andrea Givanovitch
Music: Raul Aranha, Roli Gezcy
Music production: Victor Saiz, Julian Meindl
Video and Photos: Antoine Raboud
Video editing: Luisa Heilbron, Andrea Givanovitch
Residency: SEAD Salzburg

28 July | 21:30 | “Mikis Theodorakis” theatre

Luisa Heilbron & Andrea Givanovitch – Violent Delights

Share
Next ocram dance movement/Glenda Gheller – Love Parade